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Renaissance
Canaris
Bartók forever
0:54 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Preambulum 11. et 12. Toni
Bartók forever
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
 
Praeludium
Bartók forever
0:53 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
 
Passametzo
Bartók forever
3:06 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA
gmolstad
2:13 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
Alto Treble 9 0 2 5 100%
Soprano
I		 Treble 13 0 2 5 100%
Soprano
II		 Treble 12 0 2 5 95%
Bass Bass 10 0 2 4 44%
Tenor Treble 8 0 0 5 44%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Anonymous - My Lady Carey's Dompe
Paraskeνas
2:02 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
 
Inni del Primo Tuono
Bartók forever
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
 
The King of Denmarks Galiard for Guitar Quartet, John Dowland
PreludeAndFugue
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 13 0 3 6 100%
II Treble 8 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 13 0 3 6 100%
II Treble 8 0 2 7 100%
III Treble 12 0 3 7 100%
IV Treble 18 0 1 7 100%
 
The King of Denmarkes Galiard for Guitar Duo, John Dowland
PreludeAndFugue
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
 
Renaissance Suite
waszil
4:50 Est. Play
Time
113 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 5 9 100%
Violin
I		 Treble 18 0 7 10 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 5 9 100%
Violin
I		 Treble 18 0 7 10 100%
Violin
II		 Treble 17 0 7 10 100%
Violoncello Bass 17 0 4 8 100%
 
Renaissance ''Danserey'', Antwerpen A.D.1551, Tilman Susato
FarrierPete
12:42 Est. Play
Time
225 Measures
5,060Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche Treble 13 0 2 7 98%
English
Horn		 Treble 15 0 3 7 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche Treble 13 0 2 7 98%
English
Horn		 Treble 15 0 3 7 98%
Oboe Treble 16 0 4 7 98%
Violoncello Bass 14 1 3 7 98%
Pauke Bass 12 12 0 7 73%
 
Claude Sermisy - Tant Que Vivray, for voice and guitar
Daniel Rubin
1:36 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
 
Thomas Morley - La Sampogna, for alto recorders
Daniel Rubin
2:07 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%